Former dancer Lindy Haggerty is a
few pounds over her “fighting weight” for a pas de
deux, but she's just the right size to take the
stage for solving crimes. Now, as rehearsal director
during a summer performance, she's en pointe and
in trouble when a young dancer mysteriously meets a
less-than-graceful end...
When she's invited to teach at the elegant Easton Arts
Retreat 50th anniversary celebration, Lindy Haggerty
happily accepts. After all, this prestigious institution
is set in bucolic upstate New York in a gigantic mansion
and is practically synonymous with summer dance. But
instead of guiding her talented and quirky dancers to
new heights, Lindy finds herself mired in betrayal,
twisted desires—and a brutal death.
The body of Larry Cleveland, a rebellious scholarship
student who had few friends and a lot of rough edges, is
found at the bottom of a nearby cliff. The evidence
points to a simple accident. But the local sheriff, who
has an ax to grind, wants to use the mishap to blacken
the reputation of the Retreat and open the door to
big-city developers. As the sheriff digs for
incriminating evidence, another student goes missing and
a “suicide” that's really another murder attempt almost
succeeds.
It's up to Lindy to find out what's really going on
and who would have wanted Larry dead. Robert Stokes, the
counselor in charge? Sophisticated Ellis, Margeurite's
brother? Dr. Van Zandt, the surly archaeologist working
on a nearby dig? Or Conover, a rich student with a
haunted look...and a good reason to be afraid? With a
ruthless killer closing in, Lindy takes the first
position in the art of detecting: do whatever it takes
to stay alive.
Gears screeched as the tour bus rounded another
hairpin curve. The driver swore under his breath. Lindy
Graham-Haggerty abandoned her paperback and grabbed the
arms of her seat She was glad she was sitting in the
front of the bus; a communal groan erupted from the
seats behind her as the members of the Jeremy Ash Dance
Company lurched to the left in perfect unison.
"But I don't want to suffer for my art," whined a
voice from the back. Another wild turn, this time in the
opposite direction. Lindy's book slid to the floor and
across the aisle. Next to her, Arabida McFee, the
company business manager, groaned.
The bus driver mumbled to himself. He was looking a
little green.
"I don't remember the road being this wild," said
Jeremy from across the aisle. "But it's been a few
years"
The company was on its way to the Easton Arts
Retreat, a prestigious colony for visual artists and
writers, and a summer camp for the most promising young
dancers in the country. This year was the fiftieth
anniversary of the retreat, and the Ash company was
opening the season. Other former students who now
directed their own companies would be participating in
the celebrations throughout the summer.
At age fourteen, Jeremy had been the youngest dancer
to ever receive a coveted Easton Scholarship. He became
a favorite student, spending several summers at the camp
and later forming a close friendship with the camp's
owner and director, Marguerite Easton. Now at
fortysomething, he had made it clear that it was payback
time, and the company had been rehearsed to perfection.
Jeremy leaned forward in his seat, his anticipation
palpable across the aisle as he scanned the mountains
before him.
"Hang on, guys. It won't be long now. We should see
the house any minute"
On cue, the house appeared in the distance, framed by
lush greenery and stone cliffs.
"There" Jeremy pointed, but the brief image of stone
and red slate roof disappeared as the bus took another
stomach-churning turn. Lindy glanced at Biddy, whose
face was white beneath her cinnamon-colored curls. Her
green eyes widened as the bus hit a pothole, and she
rebounded into Lindy.
The bus swerved again and empty air loomed before
them. The tires crunched on loose dirt as the bus slid
onto the shoulder of the road and perched momentarily at
the edge of the mountain before regaining the pavement.
"Dios mio," the bus driver muttered and crossed
himself.
Beyond them stretched an immense chasm. A thatch of
heavily foliaged trees filled the crevice below. It had
been a rainy June in New York State and the undergrowth
was as thick and wild as any tropical jungle. A ribbon
of blue appeared sporadically through the greenery and
ended in a mirror-smooth lake that reflected the cliffs
of gray granite surrounding it.
The driver maneuvered the bus back onto the pavement
and continued more slowly upward through the mountains.
"There" said Jeremy. All heads turned to peer out the
bus windows; the dancers farthest from the windows stood
in the aisle to get a better view.
On the other side of the chasm, atop a granite bluff,
stood the Easton house. But to call the edifice looming
in the distance a house was a gross understatement,
thought Lindy. She wasn't sure that mansion would do it
justice. A castle was more like it, and a monstrous one
at that. Several architectural styles fought for
attention, their juxtaposition creating the appearance
of a living, roiling entity.
"Wow" said Biddy. Her hand reached to push curls from
her eyes.
"Jeremy, it's magnificent," said Lindy. And the
daylight softened its foreboding appearance, she
thought, but at night with a full moon--she shuddered.
Jeremy turned from the window and flashed her a wide
grin. "Wait until you see it up close. It's a wonderful
place and Marguerite is the best."
Marguerite Easton, philanthropist and society dame
extraordinaire, was revered throughout the art world.
Beloved by artists and critics alike, she had safely
steered the retreat, her pet project, through the
vicissitudes of the nineties. While other arts
organizations floundered, the Easton Arts Retreat
flourished. She didn't need to beg money from the
dwindling number of charitable arts foundations. She was
her own foundation, and the colony ran from the interest
of well-placed investments without ever having to dip
into the principal. The retreat was the paragon of
intelligent arts management.
And even though it seemed to spring up spontaneously
in the most inaccessible recesses of New York State, the
glitterati flocked to the summer performances, driving
the two and a half hours from New York City and staying
overnight in the mansion's annex. Dance schools trampled
over each other to get their students into the few
choice spots in the summer dance program.
Lindy had never met Marguerite Easton and she felt a
flutter of butterflies in anticipation. She had been out
of the business for twelve years when Biddy had asked
her to return to work only a year ago. She still felt
like she had to prove herself again and again.., and
again. She knew it was ridiculous. Her reputation had
been sound when she had retired from dancing, and she
had built on it since coming back to work as Jeremy's
rehearsal director. The fact that the company had been
involved in more than one murder since her return was
certainly not her fault.
"Do-do-do-do-do-do-do-do" Someone was singing the
theme to The Twilight Zone. Jeremy and Lindy both turned
to look, bumping heads as they leaned into the aisle. A
muscular male dancer staggered toward them. Rebo, no
last name, just Rebo. His brown eyes bulged. The whites
shone menacingly against his coffee-brown complexion.
"Lindy, I'm home (redrum, redrum)," he intoned. Lindy
shook her head. Add Jack Nicholson to his impressions of
Vanna White, Bette Midler, and Her Majesty, the Queen.
"What?" Jeremy looked a little confused and possibly
annoyed. Marguerite was his mentor. Just hearing him
speak of her, Lindy knew he would brook no jokes at the
lady's expense.
The bus lurched again and Rebo disappeared. Lindy
peered over the back of her seat. Rebo lay sprawled
across Juan Esquidera. Juan's arms had wrapped around
him to break his fall and lay there affectionately.